jeremymeyers.comJeremy Meyers dot com - The ongoing adventures of a NYC boy reinventing himself in Atlanta
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Title:Jeremy Meyers dot com - The ongoing adventures of a NYC boy reinventing himself in Atlanta
Description:Jeremy Meyers lives in Atlanta with a partner and a dog. He used to work at Waggener Edstrom and Sony Music before that. These are his stories.
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Jeremy Meyers dot com Search Primary Menu Skip to content DEEPER CONTEXT Explore Site Features Annual “Top 10 Albums” 00-14 Books for GLBT Teens and Youth Computer History Report Hot Celebrities Gallery Categories Business 2.0 Crossposts and Comments Life Hacks Marketing and Web 2.0 Music I’m Digging My Projects Personal Reflections Popular Culture Reframing Social Media Storytelling Search for: Music I'm Digging Jeremy’s Top Albums of 2018 December 31, 2018 Jeremy Meyers Leave a comment Ben Frost – All That You Love Will Be Eviscerated (Mute) – A supplemental EP to 2017’s dark political album “The Centre Cannot Hold”, this is dark melancholy cinematic crusty electronica. Penya – Super Liminal (On The Corner Records) – Afro-Cuban (And therefore percussion groove-heavy) deliciousness plus just a little bit of electronics. V/A – 1+1=X (Erased Tapes) – A collection of exclusive music from each of the artists on the Erased Tapes, created around a single recording session with the same instruments. the Kiasmos track is a standout Ocean Wisdom – Wizville (High Focus Records) : Twista-style vocal gymnastic hip-hop with boom bap beats from Camden, featuring guest spots from Dizzee Rascal, Meth, Roots Manuva and others. Logistics – Hologram (Hospital Records) : Neurofunk Drum & Bass (slightly jazzy and shiny rather than gruff) from a vet. Cardi B – Invasion of Privacy (Atlantic) : Is she still okay? I can’t keep track. Have listened to this more than almost any other album this year tho. Janelle Monae – Dirty Computer (Bad Boy) : Not sure I can add anything to the discourse about this other than to say that its relistenable as hell. The Summer Kills – Last Night We Became Swans (Self-released) : Hammock + Matthew Ryan. So like… post-rock but also anthem-y. Findlay Brown – Not Everything Beautiful Is Good (Nettwerk) : This years’s heartbreaking guy-with-acoustic guitar selection. His voice makes me sad. HAERTS – New Compassion (Arts & Crafts) : In the way that their first album was super Synth-forward, this one integrates real percussion and guitar to make for a more balanced indie dance experience. Editors – Violence (PIAS) : Editors are basically targeted specifically at me at this point. Baritone vocals over dark guitar synthpop and big choruses. Yes please. CHVRCHES – Love is Dead (Virgin/Glassnote) : Shiny 80sy Femme Vocal Synth Goodness (there’s a reason i’m not a music writer) Meant for big speakers. Solar Fields – Ourdom (Sidereal) : Spacey New Age but intense and atmospheric. (also if you haven’t heard his Mirror’s Edge soundtracks, get on that) Andy Cooper – The Layered Effect (Rocafort) : The DJ/Producer of Ugly Duckling. Clever rhymes, funky production, silly verses. Mostly about how “old rap used to be better but theres still some good stuff out there” Marcin Wasilewski Trio – Live (ECM) : One of my favorite current pianists in great form with part of the Tomasz Stanko (RIP) band. Includes a cover of “message in a bottle” and herbie’s “Actual Proof” Blog This Unruly Body September 12, 2018 Jeremy Meyers Leave a comment This unruly body shows the scars of invisibility stores retaliations too dangerous to speak attempts to numb instead of feel to translate dismissal into love when feeling was too dangerous and I was in the way This unruly body elicits strong feelings a thing to be contended with the disgust with the pity mask the discomfort with the worry mask the problem and the problem too much seen-ness to be less is to be better doctor’s orders This unruly body strength and resilience shield, sword and hearth my home and my shelter a reminder of what I survive contains all of this This unruly body warm and engulfing strong, sturdy, solid, sexy source of comfort and pleasure a smile, a squeeze, a moan loved and seen and seen and seen and seen (Inspired by Roxanne Gay’s project Unruly Bodies ) poetry Personal Reflections On “The System” June 28, 2018 Jeremy Meyers Leave a comment This is your regular reminder that the culture war we are experiencing (with body count and all) is bought and paid for by the wealthiest class as a way to distract from them draining the country and the planet in order to overfill their coffers. They own the media shaping people’s minds and opinions on both sides, they own (and sometimes are) the politicians. They are defining “normal” and “acceptable” and it’s all nonsense, and that nonsense kills people. I am well aware that my presentation to most of the world (a fair-skinned male-bodied bearded bespectacled lefty-leaning person with a long-term exclusive opposite-sex partner, amongst other “normal” signifiers) affords me some cultural advantages that my fellow non-straight and otherwise atypical folks do not enjoy. I do my best to use those traits to raise the voices of those who do not have that visibility rather than to bloviate about issues that may otherwise affect me. I do this not for any sense of credit or ego, but because lived experience will always be more relevant and important than even the most compassionate speech by those not in as many positions of marginalization. I’m pretty open about my identity in how I present to the world. I am a Queer person (which to me, defines a worldview as much as anything else). I am not a straight person. Ever more relevantly, I’m Jewish. My relationship is not traditional in many ways, though it is absolutely committed. What I do know is that “Normal” feels super oppressive to me, rather than something I identify with. The prevailing culture is so toxic to intentionality, compassion, generosity, inclusion and wholeness and actively suppresses those things with violence and manipulation of narrative. It hurts women (cis and otherwise) especially, men in different ways and affords very little room for others along the spectrum. Whenever possible, I strive to reject this “normalcy,” and avoid it. I am very much aware that I have the privilege to do so. So what are some small things can we do in addition to the political acts of resistance we must take as people with privilege? What can we do as compassionate individuals desiring of a more whole human experience for all that is not afforded us by how things are right now? How can we move the needle? Here are a few basic things. Fuck with the system. Make people uncomfortable. Make out in public. Hold hands with two people (don’t block the sidewalk). If you’re male-bodied / identified, hug your male friends without slapping them on the back. Be kind and uncompromising to individuals and merciless to systems and groups. Shut up and listen. It’s even more radical, these days. Music I'm Digging Jeremy’s Top Albums of 2017 December 31, 2017 Jeremy Meyers Leave a comment Airlands – So Much To Keep (Self-released) ASC – Trans-Neptunian Objects (Auxiliary) – ASC keeps putting out wonderful dark spacey ambient and I keep adding it to my top lists. He’s very prolific, so this was basically just the first one I listened to. Ben Lukas Boysen & Sebastien Plano – Everything (Soundtrack) (Erased Tapes) – A soundtrack to a game about literally everything. Somber and overwhelmingly lovely. Bicep – Bicep (Ninja Tune) – Artificial Intelligence-style club music. Casey Dienel – Imitation of a Woman To Love (Paddle Your Own Canoe Society) – Singer of White Hinterland’s solo debut, not so different from the WH stuff. Feed Me – Feed Me’s Existential Crisis ( Mau5trap Recordings ) – Just a bunch of electro-house bangers David Fray – Chopin: Piano Works (Erato/Warner Classics) – Gorgeously produced impeccably played versions of some of my favorite piano music. Goldfrapp – Silver Eye (Mute) – You know, just another album of dark synthpop to poke my inner goth. GQ – E 14th (Jamla) – Literate slightly political boom bap hip-hop produced by 9th Wonder. Grails – Chalice Hymnal (Temporary Residence) – Wall of sound post-rock, very melodic and soundtrack-y. Jeremy Enigk – Ghosts (Lewis Hollow Records) – Finally some Fire Theft-type output fro...
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